Read from February 16-20th, 2017.
Synopsis: ‘The barrier between the worlds shatters like the window. The beast is loose. My nightmare has become real. The guy has totally lost it. If he finds us here, we could die. No, I don’t doubt it; we will die.’
Author and editor Prunella Smith inhabits a multilayered reality. Physically, she lives in the Australian bush with her crazy cat Merlin. In her work world, she edits the love story of Kelee, a Magan Lord’s daughter, and in the cyber-world of social media, she’s subjected to slanderous attacks by a disgruntled author. To complicate matters further she sees things through the eyes of a Tibetan Yogi, has strange dreams and relives old memories.
Separate worlds, interconnected and complementary, but can they help when Prunella becomes victim to a real life stalker and her sanity is threatened?
Worlds Within Worlds has a unique perspective on the nature of creativity. Its touch is light, its humour distinctive but it reaches deep into the nature of human experience.
This book has won an AIA Seal of Excellence.
Bookish Things: 294 pages. The cover is quite eye-catching.
The characters were an interesting mix, starting with slightly quirkly Prunella (Ella) Smith, who Tahlia assures readers is not her (although between you and me, I couldn’t help but see Tahlia’s face when I brought up Ella’s face in my mind). My favourites by a long shot were Merlin the cat and James. James is the sole reason this book gets shelved on my ‘a-lil-sexy’ shelf.
This story consists of several threads and weaves them together to form a strong, eloquent book. However, the overall message certainly sat in the spiritual realm, which is where it loses me and my interest. I can’t say I get the buddhist belief system and this was far too engrained in the story for my liking.
I did enjoy Kelee’s story that threaded throughout the tale, including the communication between Kelee and Ella. This was compounded by the fact that I have read some of Tahlia’s Diamond Peak series; I was glad to get some background information on some of the characters I’d already met.
Where this story came into its own was the interestingly complex look at badly behaving authors and their war on honest reviewers. Having been on the receiving end of some minor indie author angst for my own honest reviews, I found the whole story a bit too explosive. This being said, I have heard of some pretty crazy reactions from people for constructive, yet negative reviews, so Tahlia’s fictional account isn’t completely outside the realm of possible.
I can’t say this was my favourite of Tahlia’s books, but it was an enjoyable, interesting mix that kept the pages turning. If you’re interested in metaphysical and magical-realism books, give this one a try, it might be more to your tastes than mine.
**Note: I was provided an electronic copy of this book in exchange for an honest review.**